Check out our latest products
Introduction
The Fujifilm X-T50 is a new mid-range APS-C sensor mirrorless camera which was first announced in May 2024 and released in June 2024.
It is the successor to the three-year-old X-T30 II model which will continue to be sold in the range for the forseeable future.
The XT50 features exactly the same 40 megapixel X-Trans CMOS 5 HR sensor and X-processor 5 as the flagship X-T5 and X-H2 models, and therefore provides the same image quality and auto-focus performance/features.
The X-T50 can automatically detect animals, birds, cars, bikes, planes and trains thanks to the X-Processor 5’s AI deep learning capabilities.
IBIS is included for the first time on an X-Txx series camera, delivering up to 7 stops of in-body image stabilisation.
There’s also a dedicated Film Simulation dial that replaces the drive mode dial, another first for the X-Txx series, which provides quick access to selected simulations plus three user modes.
Featuring a new rounded design, the X-T50 is bigger and heavier than the previous X-T30 II, but is smaller and lighter than the flagship X-T5.
The XT50 can record 6K/30p 4:2:2 10-bit video internally to its single SD card slot with 13+ stops of dynamic range, but it does offer more limited recording times than the X-T5 – 60 minutes in 4K/30p and 30 minutes in 4K/60p.
Other key features include 8fps burst shooting, 20% better battery life than the previous X-T30 II model, a 2-way tilting LCD screen that sits flush with the body, a pop-up flash, and an ultra-fast electronic shutter that is capable of exposures up to 1/180000sec.
The Fujifilm X-T50 is is available in three different colours – Black, Silver and Charcoal Silver – priced at £1299 / $1399 / €1499 body only, £1399 / $1499 / €1599 with the 15-45mm kit lens, and £1649 / $1799 / €1899 with the new 16-50mm F2.8-4.8 R LM WR kit lens. The XT50 is manufactured in China.
Ease of Use
 |
The image sensor used in the X-T50 is also the one found in the more expensive X-T5, X100 VI and X-H2 models, and they also share the same X-Processor 5 image processor, which means that you’ll get exactly the same image quality from each camera.
The XT50 has a 40.2 megapixel X-Trans CMOS 5 HR sensor, with HR standing for High Resolution. This is a BSI (back-side illuminated) sensor design that is more focused on detail and resolution than out-and-out speed.
It has a base sensitivity of ISO 125, which can be expanded down to ISO 64 and up to ISO 51,200.
Sadly, despite having the same image sensor and processor, the new X-T50 does not feature the special Pixel Shift Multi-Shot mode from the X-T5 which delivers 160 megapixel images for the ultimate quality when detail really matters.
 |
The X-Trans CMOS 5 HR sensor enables the XT50 to record 6K video, surpassing the previous generation X-T30 II which could only record up to 4K video.
It essentially provides the same video features and performance as the more expensive X-T5, offering a highest video quality rate of 6.2K/30p with a modest 1.23x crop, recorded in 4:2:2 10-bit internally. It also supports up to DCI 4K/60p recording without applying any crop and can record 1080/240p slow-motion footage.
The latest F-Log 2 profile with up to 14+ stops of dynamic range is available, and combined with a compatible HDMI recording device from Atomos or Blackmagic Design, 12-bit RAW video output can be recorded as Apple ProRes RAW or Blackmagic RAW.
There is a clever digital zoom function that uses the camera’s 40.2MP sensor to deliver up to 2x of digital zoom with little to no loss in resolution when recording video in 4K.
 |
The other key area where the X-T50 again matches its pricier siblings is autofocus performance.
It has exactly the same hybrid autofocus system with phase detection and and contrast detections points as the more expensive X-T5.
In the Single point AF mode there are up to 425 selectable AF points arranged in a 25×17 grid. Alternatively, the camera can be set to 117 points in a 13×9 grid, and the size of the points can also be varied.
In addition to Single point AF, there’s Zone AF which allows the AF points to be selected in 3×3, 5×5 or 7×7 groups, and Wide/Tracking AF.
 |
Thanks to the 40 megapixel sensor, it offers a large number of PDAF points (3.3 million) and can focus down to an incredible -7EV in low-light.
It can automatically detect animals, birds, cars, bikes, planes and trains thanks to the X-Processor 5’s AI deep learning capabilities.
The XT50 is no slouch when it comes to burst shooting, being capable of shooting at up to 20fps when using the electronic shutter with a 1.29x crop applied.
It is limited to just 5fps when using the mechanical shutter, though, whereas the X-T5 provides 15fps continuous shooting speed. Conversely, the X-T50 does have a much larger buffer when using the mechanical shutter – 1000+ JPEG or compressed RAW frames versus 119 on the X-T5.
 |
Note that unlike both the X-T30 II and X-T5, there is no external dial for moving between the bracketing, burst, multiple exposure, advanced and panorama functions. Instead you have to press the shared Delete/Drive button on the rear of the camera and use the on-screen menu to choose between the various options, which is a lot less convenient.
The XT50 offers an impressive fastest shutter speed of 1/180000 sec for the electronic shutter, which allows you to leave the aperture wide open in very bright conditions such as a sunny beach or a ski slope, or to capture a split-second motion.
IBIS is included on the X-T50 for the very first time on an X-Txx series camera, so it features the 5-axis in-body image stabilisation (IBIS) that delivers up to 7 stops of in-body image stabilisation that’s also found on the X-T5. This is a key upgrade if you’re looking to step-up from the older X-T30 II which doesn’t have IBIS.
Featuring a new rounded design, the X-T50 is significantly smaller and lighter than the flagship X-T5, making it better suited as an all-day camera for traveling with.
 |
The flagship XT5 weighs 476g body only or 557g with a battery and memory card fitted, versus the XT50 which weighs 389g body only or 438g with a battery and memory card fitted.
The X-T50 take a similar design approach to the X-T5 with three dials on the top-plate, but one of them is the brand new dedicated Film Simulation dial which replaces the drive mode dial.
The Film Simulation dial is a first for the X-T series, providing quick access to selected simulations plus three user selectable modes. Obviously it’s appeal will vary depending on whether or not you use any of the extensive selection of film simulation, but if you the new dial is a great addition, albeit one that makes accessing the ISO speed slightly slower.
Situated underneath the Film Simulation dial is a switch for releasing the pop-up flash. Unlike the X-T5, on the X-T50 there is both an external flash hotshoe for suitable dedicated external units and a built-in flash unit which has a guide number of 5.
 |
The EVF on the XT50 is slightly inferior to the one found on the X-T5, with 2.36M-dot resolution, 0.62x magnification, 100fps refresh rate and a built-in eye sensor.
The LCD screen on the X-T50 is also not as good as the X-T5’s, sporting a 2-way tilting design which makes it less versatile than the 3-way tilting LCD on the X-T5, especially for video use.
The resolution of the screen on both cameras is the same at 1.84M-dots, making it the highest-res screen of any current Fujifilm APS-C camera.
Another key physical difference that might push you towards the X-T5 is memory cards.
The X-T5 has dual memory card slots, utilising two UHS-II SD card slots housed in a dedicated compartment on the side of the body, while the smaller X-T50 only has a single UHS-II SD card slot that’s more inconveniently located on the bottom of the camera inside the battery compartment.
 |
Battery life on the smaller X-T50 is markedly lower than on the larger X-T5.
The X-T5 uses the larger-capacity NP-W235 battery, which provides up to 740 shot battery life in economy mode, whereas the X-T50 uses the smaller-capacity NP-W126S battery, which only provides up to 390 shot battery life in economy mode.
The XT50 can thankfully be powered and charged via a USB-C connection (as can the XT5), which is useful if you’re out and about and you’re carrying a compatible power-bank to plug the camera into.
The X-T50 is smaller and lighter than the flagship X-T5 camera, but in keeping with its mid-range status it’s not weather-proof unlike its big brother, something that’s important to note if you’re trying to decide between the two.
Image Quality
All of the sample images in this review were taken using the 40.2 megapixel Fine JPEG setting, which gives an average image size of around 18Mb.
The Fujifilm X-T50 produced images of outstanding quality. It records noise-free JPEG images from ISO 64 up to ISO 3200, with a little noise at ISO 6400 and more visible noise at the faster settings of ISO 12800 and 25600 (ISO 51200 is best avoided), an amazing performance for a camera with a 40 megapixel APS-C sensor. The RAW files were also excellent, exhibiting more noise than their JPEG counterparts but still producing very usable images from ISO 64-6400.
The Dynamic Range and HDR settings subtly improve detail in the shadows and highlights, while the extensive range of Film Simulation modes hark back to a bygone era, and the Advanced Filters allow you to have a little fun with your images in-camera.
Noise
There are 11 full ISO settings available on the Fujifilm X-T50 for JPEGs and RAW files. Here are some 100% crops which show the noise levels for each ISO setting.
File Quality
The Fujifilm X-T50 has 2 different image quality settings available, with Fine being the highest quality option. Here are some 100% crops which show the quality of the various options, with the file size shown in brackets.
| Fine (18Mb) (100% Crop) | Normal (9.1Mb) (100% Crop) |
 |
 |
| RAW (85.5Mb) (100% Crop) | |
 |
Dynamic Range
The Fujifilm X-T50 has three dynamic range settings – 100% (on by default), 200%, and 400% – and an Auto setting if you want to let the camera take control.
These settings gradually increase the amount of detail visible in the shadow and highlight areas, with the side-effect of more noise appearing in the image. Note that you can’t actually turn this feature off. All three settings are available from ISO 500 upwards.
100%
200%
400%
HDR
The Fujifilm X-T50 has a High Dynamic Range mode with five different settings – AUTO, 200%, 400%, 800%, 800%+. The camera takes three shots with different exposures, changing the shutter speed for each one, and then combining them in-camera.
Off
Auto
200%
400%
800%
800+%
Film Simulations
The Fujifilm X-T50 offers 20 different film simulation modes to help replicate the look of your favourite film stock from the past.
Provia / Standard
Velvia / Vivid
Astia / Soft
Classic Chrome
Reala Ace
Pro Neg. Hi
Pro Neg. Standard
Classic Neg.
Nostalgic Neg.
Eterna / Cinema
Eterna Bleach Bypass
Acros
Monochrome
Sepia
Advanced Filters
The Fujifilm X-T50 offers 13 different creative filter effects which are found in the Drive menu.
Toy Camera
Miniature
Pop Color
High-Key
Low-Key
Dynamic Tone
Soft Focus
Partial Color (Red)
Partial Color (Orange)
Partial Color (Yellow)
Partial Color (Green)
Partial Color (Blue)
Partial Color (Purple)
Multiple Exposure
The Fujifilm X-T50’s Multiple Exposure mode combines up to 9 different images together in-camera to create one composite image, with four different ways of combining them – Additive, Average, Bright, Dark.
Sample Images
As of February 2025, we are no longer providing full size sample images or videos for download.
Please contact us if you have any feedback on our new policy.
Product Images
Conclusion
The Fujifilm X-T50 is a new addition to the X-series range that slots in below the X-T5 and above the X-T30 II. It delivers the same stills, video and auto-focus performance as the former in a smaller, lighter body that’s very similar to the latter, successfully combining key elements of both models.
The main innovation on the X-T50 is the handy new Film Simulation dial, a first for the X-T series in general that quick access to the extensive selection of film simulation, albeit one that makes accessing the ISO speed slightly slower.
Compared to the X-T5, the X-T50 has a number of limitations. It’s not weather-proof, the LCD screen has more limited 2-axis movement, the electronic viewfinder is lower in both resolution and magnification, there’s no 160 megapixel Pixel Shift Multi-Shot mode, continuous shooting is much slower when using the mechanical shutter, battery life is reduced, there’s only one memory card slot housed more inconveniently in the battery compartment, and there’s no optional hand-grip accessory option.
On the plus side, it offers similar classic retro styling and control layout to the X-T5 whilst being both much smaller and lighter, and it has both the handy new Film Simulation dial and a pop-up flash unit.
The Fujifilm X-T50 is priced at £1299 / $1399 body only, which is significantly cheaper than the X-T5 (£1699 / $1799 body-only) but a lot more than the X-T30 II was at launch in 2021 (£769 / $899 body only).
Overall, the X-T50 is a logical, if rather calculated, new camera that fills in the gap between the X-T5 and X-T30 II whilst offering a few new features of its own. Only you can decide if it’s worth the extra for the better-appointed X-T5 or saving some cash by opting for the older X-T30 II (which continues in the range).
| Ratings (out of 5) | |
|---|---|
| Design | 4.5 |
| Features | 4 |
| Ease-of-use | 4 |
| Image quality | 5 |
| Value for money | 4 |
Main Rivals
Listed below are some of the rivals of the Fujifilm X-T50.
The new Canon EOS R8 full-frame mirrorless camera integrates the image quality and autofocusing from the more expensive EOS R6 Mark II with the smaller, lighter and simpler body of the cheaper EOS RP. Is the resulting camera a resounding success or a terrible mish-mash? Find out now by reading our in-depth Canon EOS R8 review…
The X-H2 is the highest resolution APS-C camera that Fujifilm have ever released, offering a 40 megapixel BSI sensor that can record 8K/30p video and shoot burst sequences at 20fps. Find out exactly what this new flagship camera is capable of and who it’s aimed at by reading our complete Fuji XH2 review complete with full-size JPEG, Raw and video samples.
The X-H2S is the fastest, most capable APS-C sensor camera that Fujifilm have ever released, but it’s also by far the most expensive. Find out exactly what this new flagship camera is capable of and who it’s aimed at by reading our complete Fuji XH2S review complete with full-size JPEG, Raw and video samples.
The new Fujifilm X-S20 aims to be a hybrid mirrorless camera for the masses, offering 6K video, 26 megapixel stills, a specific shooting mode for vloggers and long battery life, all in a small, well-built body. Is the XS20 the ultimate do-it-all camera? Find out now by reading our in-depth Fuji XS20 review complete with full-size sample images and videos.
The X-T30 II is the latest mid-range mirrorless camera from Fujifilm, boasting a 26 megapixel APS-C sensor, 4K/30p video recording, 30fps burst shooting and a stylish retro look and feel. Is the replacement for the two-year-old X-T30 worth considering? Find out now by reading our XT30 II review complete with full size sample photos…
The Fujifilm X-T5 is the successor to the very popular X-T4 which was released in 2020, principally adding a new 40 megapixel sensor, 160 megapixel Pixel Shift Multi-Shot mode, 6.2K video recording and better auto-focusing. Can the new XT5 improve on what was already an outstanding camera? Find out now by reading our in-depth Fujifilm X-T5 review…
The X100VI is the sixth generation of Fujfilm’s classic 35mm fixed lens premium compact camera series. It now has a 40 megapixel sensor, 6K video recording, in-body image stabilisation (IBIS) and brand new Reala Ace film simulation. Read our in-depth Fujifilm X100VI review now, complete with full-size sample images and videos…
The Lumix G9 II is the most capable Micro Four Thirds camera that Panasonic have ever released, but does that mean that you should rush out and buy one? Find out now by reading our in-depth Panasonic Lumix G9 II review, complete with full-size sample photos and videos.
Finally! The new Lumix S5 II is the first ever Panasonic camera to have a phase hybrid detection AF system, answering the critics of its contrast-based DFD system. But does this powerful hybrid photo and video camera have what it takes to beat its main rivals? Find out now by reading our in-depth Panasonic Lumix S5 II review, complete with full-size sample photos and videos.
The A6700 is the new premium model in Sony’s extensive range of APS-C mirrorless cameras, but can it beat both its main rivals and its cheaper siblings? Find out now by reading our in-depth Sony A6700 review, complete with full-size sample images and videos.
Review Roundup
Reviews of the Fujifilm X-T50 from around the web.
The Fujifilm X-T50 is a classically-styled mid-level APS-C mirrorless camera. It’s built around the 40MP X-Trans sensor used by the X-T5 and X-H2, and gains image stabilization.
Read the full review »
The Fujifilm X-T50 raises the game in several ways, but ultimately it boils down to this: you won’t find a better APS-C camera at this price.
Read the full review »
The Fujifilm X-T50 might be the nominal successor to the X-T30 II, but this is not the entry-level replacement I was hoping for, for its price, build, and feature set are far beyond the entry-level territory of previous X-Txx cameras.
Read the full review »
Specifications
Model Name
FUJIFILM X-T50
Lens Mount
FUJIFILM X mount
Image Sensor
23.5mm x 15.7mm (APS-C) X-Trans CMOS 5 HR with primary color filter
Number of effective pixels
40.2 millions pixels
Sensor Cleaning System
Ultra Sonic Vibration
Image Processing Engine
X-Processor 5
Sensor Cleaning System
Ultra Sonic Vibration
Storage media
SD Card (-2GB)
SDHC Card (-32GB)
SDXC Card (-2TB)
UHS-I
UHS-II
Video Speed Class V90
*Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility.
File format of still image
DCF
Compliant with Design rule for Camera File system (DCF2.0)
JPEG
Exif Ver.2.32
HEIF
4:2:2 10bit
RAW
14bit RAW (RAF original format)
TIFF
8bit / 16bit RGB (In-camera Raw Conversion Only)
Notes
*Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
Number of recorded pixels
[L]
43: 6864 x 5152
32: 7728 x 5152
169: 7728 x 4344
11: 5152 x 5152
54: 6432×5152
[M]
43: 4864 x 3648
32: 5472 x 3648
169: 5472 x 3080
11: 3648 x 3648
54: 4560×3648
[S]
43: 3456 x 2592
32: 3888 x 2592
169: 3888 x 2184
11: 2592 x 2592
54: 3264×2592
Panorama
[L]
vertical: 9600 x 2160
horizontal: 9600 x 1440
[M]
vertical: 6400 x 2160
horizontal: 6400 x 1440
Sensitivity
Still Image
Standard Output
AUTO1
AUTO2 AUTO3 ISO125~12800 (1/3 step)
Extended Output
ISO64
ISO80 ISO100 ISO25600 ISO51200
Movie
Standard Output
AUTO
ISO125~12800 (1/3 step)
Extended Output
ISO25600
Exposure control
TTL 256-zone metering
Multi
Spot
Average
Center Weighted
Exposure mode
P (Program AE)
A (Aperture Priority AE)
S (Shutter Speed Priority AE)
M (Manual Exposure)
Exposure compensation
Still
-5.0EV~+5.0EV 1/3EV step
Movie
-2.0EV~+2.0EV 1/3EV step
Image stabilizer
Mechanism
Image sensor shift mechanism with 5-axis compensation
Compensation Effect
7.0 stops
Digital Image Stabilization
Yes (movie mode only)
IS MODE BOOST
Yes (movie mode only)
Shutter type
Focal Plane Shutter
Shutter speed
Mechanical Shutter
P mode 4sec. to 1/4000sec.
A mode
30sec. to 1/4000sec.
S/M mode
15min. to 1/4000sec.
Bulb
up to 60min.
Electronic Shutter
P mode 30sec. to 1/180000sec.
A mode
30sec. to 1/180000sec.
S/M mode
15min. to 1/180000sec.
Bulb
1sec. Fixed
Electronic Front Curtain Shutter
P mode 30sec. to 1/4000sec.
A mode
30sec. to 1/4000sec.
S/M mode
15min. to 1/4000sec.
Bulb
up to 60min.
Mechanical + Electronic Shutter
P mode 30sec. to 1/180000sec.
A mode
30sec. to 1/180000sec.
S/M mode
15min. to 1/180000sec.
Bulb
up to 60min.
Notes
*Mechanical shutter works until 1/4000sec.
E-Front + Mechanical Shutter
P mode 30sec. to 1/4000sec.
E-Front + Mechanical + Electronic Shutter
P mode 30sec. to 1/180000sec.
Movie
6.2K 1/4000sec. to 1/24 sec.
4K/DCI4K
1/4000sec. to 1/4 sec.
FHD
1/4000sec. to 1/4 sec.
Notes
*Cannot choose slower shutter speed than framerate for some settings.
Synchronized Shutter Speed For Flash
Mechanical shutter 1/180sec. or slower
Continuous shooting
CH
Electronic Shutter Approx. 20fps (1.29x Crop)
JPEG 168 frames Compressed RAW 66 frames Lossless compressed RAW 32 frames Uncompressed RAW 17 frames Compressed RAW + JPEG 21 frames Lossless compressed RAW + JPEG 20 frames Uncompressed RAW + JPEG 17 frames
Electronic Shutter Approx. 13fps (1.29x Crop)
JPEG 1000+ frames Compressed RAW 94 frames Lossless compressed RAW 25 frames Uncompressed RAW 21 frames Compressed RAW + JPEG 48 frames Lossless compressed RAW + JPEG 31 frames Uncompressed RAW + JPEG 19 frames
Electronic Shutter Approx. 10fps (1.29x Crop)
JPEG 1000+ frames Compressed RAW 536 frames Lossless compressed RAW 43 frames Uncompressed RAW 23 frames Compressed RAW + JPEG 61 frames Lossless compressed RAW + JPEG 37 frames Uncompressed RAW + JPEG 21 frames
Electronic Shutter Approx. 13fps
JPEG 163 frames Compressed RAW 46 frames Lossless compressed RAW 21 frames Uncompressed RAW 18 frames Compressed RAW + JPEG 24 frames Lossless compressed RAW + JPEG 20 frames Uncompressed RAW + JPEG 19 frames
Electronic Shutter Approx. 8.9fps
JPEG 1000+ frames Compressed RAW 68 frames Lossless compressed RAW 28 frames Uncompressed RAW 21 frames Compressed RAW + JPEG 36 frames Lossless compressed RAW + JPEG 23 frames Uncompressed RAW + JPEG 21 frames
Electronic Shutter Approx. 8.0fps
JPEG 1000+ frames Compressed RAW 79 frames Lossless compressed RAW 22 frames Uncompressed RAW 20 frames Compressed RAW + JPEG 30 frames Lossless compressed RAW + JPEG 21 frames Uncompressed RAW + JPEG 20 frames
CL
Mechanical Shutter Approx. 5.0fps
JPEG 1000+ frames Compressed RAW 1000+ frames Lossless compressed RAW 56 frames Uncompressed RAW 24 frames Compressed RAW + JPEG 81 frames Lossless compressed RAW + JPEG 27 frames Uncompressed RAW + JPEG 21 frames
Mechanical Shutter Approx. 4.0fps
JPEG 1000+ frames Compressed RAW 1000+ frames Lossless compressed RAW 1000+ frames Uncompressed RAW 29 frames
Mechanical Shutter Approx. 3.0fps
JPEG 1000+ frames Compressed RAW 1000+ frames Lossless compressed RAW 1000+ frames Uncompressed RAW 60 frames
Pre-shot
Electronic Shutter, 1.25 X Crop Approx. 20fps (1.29x Crop)
20 frames 135 frames 155 frames
Electronic Shutter, 1.25 X Crop Approx. 13fps (1.29x Crop)
13 frames 177 frames 190 frames
Electronic Shutter, 1.25 X Crop Approx. 10fps (1.29x Crop)
10 frames 240 frames 250 frames
Electronic Shutter, 1.25 X Crop Approx. 13fps
13 frames 177 frames 190 frames
Notes
*Recordable frames depends on recording media
*Speed of continuous shooting depends on shooting environment and shooting frames
Drive Mode
AE Bracketing
2 frames
3 frames
5 frames
7 frames
9 frames Filmsimulation Bracketing Any 3 types of film simulation selectable Dynamic Range Bracketing 100%
200%
400% ISO Sensitivity Bracketing ±1/3EV
±2/3EV
±1EV White Balance Bracketing ±1
±2
±3 Focus Bracketing AUTO
MANUAL Multiple Exposure Yes (Max. 9 frames)
Additive
Average
Bright
Dark HDR Mode AUTO
2
4
8
800% + Advanced Filter Toy camera
Miniature
Pop color
High-key
Low-key
Dynamic tone
Soft focus
Partial color (Red / Orange / Yellow / Green / Blue / Purple)
Focus
Mode
Single AF
Continuous AF
MF
Type
Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
AF Frame Selection
Single point AF 13×9 / 25×17 (Changeable size of AF frame)
Zone AF
3×3 / 5×5 / 7×7 / Custom1-3 from 117 areas on 13×9 grid
All
Yes
Subject Detection
[“Yes (Animal\/Bird\/Automobile\/Motorcycle&Bike\/Airplane\/Train)”]
Flash
Shoe Mount Flash
Sync. Mode
1st Curtain
2nd Curtain AUTO FP (HSS)
Flash Mode
TTL (TTL AUTO / STANDARD / SLOW SYNC. )
MANUAL MULTI *When EF-X500 is set OFF
Hot shoe
Yes (Dedicated TTL Flash compatible)
Viewfinder
EVF
EVF 0.39 inch OLED Color Viewfinder
Approx. 2.36 million dots
Coverage of Viewing Area vs. Capturing Area
Approx. 100%
Eyepoint
Approx. 17.5mm (from the Rear End of the Camera’s Eyepiece)
Diopter Adjustment
-4~+2m-1
Magnification
0.62x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View
approx. 31° (Horizontal angle of view: approx. 26° )
Built-In Eye Sensor
LCD monitor
3.0 inch Tilt-Type Touch Screen Color LCD Monitor
Aspect Ratio
3:2
Dots
Approx. 1.84 million dots
Touch Screen Mode
Shooting Mode
Shooting
AF Focus Area OFF Double Tap Setting (ON/OFF) Touch Function Setting (ON/OFF) Touch Zoom (ON/OFF) EVF Touch Screen Area Setting Playback Mode
Swipe
Pinch-in / Pinch-out Double-tap Drag
Movie recording
File Format
MOV
HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MP4
MPEG-4 AVC/H.264, AAC
Movie Compression
All Intra
6.2K(16:9)
File size 6240 x 3510
Frame rate
29.97p
25p
24p
23.98p
Bitrate
360Mbps
200Mbps
100Mbps
50Mbps
DCI4K HQ(17:9)
File size 4096 x 2160
Frame rate
29.97p
25p
24p
23.98p
Bitrate
360Mbps
200Mbps
100Mbps
50Mbps
4K HQ(16:9)
File size 3840 x 2160
Frame rate
29.97p
25p
24p
23.98p
Bitrate
360Mbps
200Mbps
100Mbps
50Mbps
DCI4K(17:9)
File size 4096 x 2160
Frame rate
59.94p
50p
29.97p
25p
24p
23.98p
Bitrate
360Mbps
200Mbps
100Mbps
50Mbps
4K(16:9)
File size 3840 x 2160
Frame rate
59.94p
50p
29.97p
25p
24p
23.98p
Bitrate
360Mbps
200Mbps
100Mbps
50Mbps
Full HD(17:9)
File size 2048 x 1080
Frame rate
59.94p
50p
29.97p
25p
24p
23.98p
Bitrate
360Mbps
200Mbps
100Mbps
50Mbps
Full HD(16:9)
File size 1920 x 1080
Frame rate
59.94p
50p
29.97p
25p
24p
23.98p
Bitrate
360Mbps
200Mbps
100Mbps
50Mbps
Full HD(17:9) High Speed Rec.
File size 2048 x 1080
Frame rate
240p
200p
120p
100p
Bitrate
360Mbps (recording)
200Mbps (recording)
Full HD(16:9) High Speed Rec.
File size 1920 x 1080
Frame rate
240p
200p
120p
100p
Bitrate
360Mbps (recording)
200Mbps (recording)
Film simulation mode
20 modes
PROVIA/Standard
Velvia/Vivid
ASTIA/Soft
Classic Chrome
REALA ACE
PRO Neg.Hi
PRO Neg.Std
Classic Neg.
Nostalgic Neg.
ETERNA/Cinema
ETERNA BLEACH BYPASS
ACROS
ACROS + Ye Filter
ACROS + R Filter
ACROS + G Filter
Black & White
Black & White + Ye Filter
Black & White + R Filter
Black & White + G Filter
Sepia
Monochromatic Color
Yes
Grain Effect
Roughness
STRONG, WEAK, OFF
Size
LARGE, SMALL
Color Chrome Effect
STRONG, WEAK, OFF
Color chrome Blue
STRONG, WEAK, OFF
Smooth Skin Effect
STRONG, WEAK, OFF
Dynamic range setting
Still
Still AUTO / 100％ / 200％ / 400％
ISO restriction
DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more
Movie
Movie 100％ / 200％ / 400％
ISO restriction
DR100%: No limit、DR200%: ISO250 or more、DR400%: ISO500 or more
White balance
Auto
White Priority
Auto
Ambience Priority
Custom
Custom1 – 3
Color Temperature Selection
2500K~10000K
Preset
Daylight
Shade
Fluorescent Light-1
Fluorescent Light-2
Fluorescent Light-3
Incandescent Light
Underwater
Clarity setting
±5 steps
Self-timer
Still
10sec.
2sec. Movie 10sec.
5sec.
3sec.
Interval timer shooting
Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode)
Wireless transmitter
Standard
IEEE802.11a/b/g/n/ac (standard wireless protocol)
Encryption
WPA/WPA2 mixed mode, WPA3
Access Mode
Infrastructure
Bluetooth®
Standartd
Bluetooth Ver. 4.2 (Bluetooth low energy)
Operating Frequency (Center Frequency)
2402〜2480MHz
Terminal
Digital Interface
USB Type-C (USB3.2 Gen2x1)
HDMI Output
HDMI Micro connector (Type D)
Others
ø3.5mm, stereo mini connector (Microphone)
Hot shoe
Power supply
NP-W126S Li-ion battery (included)
Battery Life For Still Images
Economy Mode Approx. 390 frames
Normal Mode
Approx. 305 frames
Notes
*When XF35mmF1.4 R is set
Actual Battery Life Of Movie Capture
6.2K Approx. 45min. (29.97p)
4K
Approx. 45min. (59.94p)
Full HD
Approx. 45min. (59.94p)、Approx. 50min. (120P)
Notes
*Face detection is set to OFF
Continuance Battery Life Of Movie Capture
6.2K Approx. 70min. (29.97p)
4K
Approx. 70min. (59.94p)
Full HD
Approx. 80min. (59.94p)
Notes
*Face detection is set to OFF
*Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Dimensions
Width
123.8mm
Height
84mm
Depth
48.8mm
(Minimum Depth)
(34.2mm)
Weight
Including Battery And Memory Card
Approx. 438g Excluding Battery And Memory Card Approx. 389g
Operation Environment
Operating Temperature
0℃～+40℃ Operating Humidity 10%~80% (no condensation)
Accessories included
Li-ion battery NP-W126S
USB cable
Headphone adapter
Shoulder strap
Body cap
Your Comments
